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About Open Session: John Biddulph – The Sonic Microscope

Working with voice, bass clarinet, modular electronics, contact microphones, and fragile or found sound sources, the project brings to the foreground otherwise minute sonic events – breath noise, key clicks, unstable feedback, faint electrical currents, and barely audible resonances; putting a sonic microscope to sounds at the edge of perception.

The performance comes as part of an immersive body of work that treats sound as material to be examined, magnified, and gently unsettled, focusing on timbre, texture, micro-movement, and near-silence.

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